#ETERNAL SONATA OST BASED ON CHOPIN PS3#
The PS3 fixes the ending by completely changing it and adding two more additional characters and more segments to increase relations within the playable characters. On the 360, the game just takes a nose dive and was simple as can be.
The voice acting is alright so far.īut while doing my research for this game (game length, difficulty, battle gameplay), I did find out that the 360 and PS3 version notably different. I find it cute that the game is trying too hard to be philosophical. So far I don't see anything bad about it.
I'm recording the game blind for my youtube channel (TBD) and I've only put in about 4 hours. The flaws of it can't nearly justify an opinion to not play it at all. If you're even a slight fan of music history, or moreso a fan of the typical JRPG with great gameplay, this game is a must-play. (The xylophone tower and the actual final dungeon. Even the environment themes were amazing, especially the underground town (Folk music ftw) and the two final dungeons. The main battle theme also never got old, and the rotation/growing intensity of boss themes made the game so much more enjoyable. The final battle theme adapted from Chopin's Revolutionary Etude was sublime, something I never would've expected in a game. Lastly, the soundtrack, holy shit the soundtrack.
The character designs were great as well, with Jazz and Claves having some of my favorite character designs of any game. You can't complain too much about incoherent story when good gameplay still makes a game playable. Hell, the battle system is super fun, too. Having that alone and a story based around him allowed me to overlook some of the game's clearly lackluster qualities. 6 "Heroique" A-Sharp Op.I have an insatiable love for music, so I was overjoyed to be able to play as Chopin in my favorite genre of gaming. Grande Valse Brillante (Valse In E-Flat Major Op. Wall With No Front or Back (Fort Fermata)įrom Cruelty To Kindness (Andantino's Secret Passage) 12)ĭive Into The Vast Expanse (Cowbell Heights) Underground for the Underhanded (Ritardando Sewers)īetween Light and Darkness (Boss Battle 3) Reflect the Sky, Blossom of Life (Tenuto Village) Scrap and build ourselves -from Revolution. Stanislav Bunin / Станислав Бунин, Motoi Sakuraba / 桜庭統, Hiroya Hatsushiba / 初芝弘也, Shinji Noguchi / 野口伸二Įveryone seeks complacency, but finds poverty Tomoko Ishioka / 石岡朋子 (King Records), Yukiko Kougo / 向後友紀子 (King Records)Īsana Inoki (NBGI), Maya Yamada / 山田茉弥 (NBGI), Shoko Metoki / 目時尚子 (NBGI), Kaori Takai (CIS), Makoto Suzuki (Compozila), Yusuke Terada (Nippon Artist Management Inc.), Nahoko Hatano (Nippon Artist Management Inc.) Tomio Yajima / 矢島富雄 *, Tsunehiro Terai / 寺井庸裕 *, Tomoko Fujita / 藤田智子 * Tomoko Fukumoto / 福本とも子 *, Hirohito Furugawara / 古川原裕仁 *, Kaori Hirooka / 広岡香 * Hiroyuki Koike / 小池弘之 *, Kazuhisa Saito / 斉藤和久 *, Hideko Nagaoka / 長岡秀子 *, Hikaru Yamanaka / 山中光 *, Rie Koike / 小池里枝 *, Tomoko Ohno / 大野智子 *, Joe Kuwata / 桑田穣 *, Michiyo Yamanari / 山成御治代 *, Motoko Inukai / 犬養素子 *, Katherine Cash / キャサリン・キャッシュ *, Kaori Hirooka / 広岡香 *, Sekka Ryu / 劉雪華 *, Hoshihiko Suzuki / 鈴木星彦 *, Masami Iwai / 岩井真美 * Satoshi Shoji / 庄司知史, Hiroshi Shibayama / 柴山洋 Hideyo Takakuwa / 髙桑英世, Mitsuru Soma / 相馬充 Mio Sakuraba / 桜庭美音, Yuko Sakuraba / 桜庭裕子 Motoi Sakuraba / 桜庭統, Fryderyk Franciszek Chopin
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